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Hear the Whistle Blow
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Vous avez sélectionné:
Hear the Whistle Blow
Partitions à imprimer
12 partitions trouvées
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1
I've Been Working on the Railroad
I've Been Working on the Railroad
#
Chorale SATB
#
DÉBUTANT
#
Traditional
#
Be'eri Moalem
#
I've Been Working on the Railr
#
Be'eri Moalem
#
SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.834459 Composed by Traditional. Arranged by Be'eri Moalem. Children,Folk,Instructional. Octavo. 1 pages. Be'eri...
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Choral Choir (Mixed) - Level 1 - SKU: A0.834459 Composed by Traditional. Arranged by Be'eri Moalem. Children,Folk,Instructional. Octavo. 1 pages. Be'eri Moalem #5297899. Published by Be'eri Moalem (A0.834459). Sheet music chart one page PDF for the Americana classic:I've been working on the railroadAll the live long dayI've been working on the railroadJust to pass the time awayCan't you hear the whistle blowingRise up so early in the mornCan't you hear the whistle blowingDinah, blow your horn
$3.50 ≈
3.26€
Hear the Whistle Blow
Hear the Whistle Blow
#
Piano seul
#
INTERMÉDIAIRE
#
Sharon Wilson
#
Sharon Wilson
#
Hear the Whistle Blow
#
Sharon Wilson
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.564615 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Contest,Country,Festival,Jazz...
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Piano Solo - Level 3 - SKU: A0.564615 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Contest,Country,Festival,Jazz. Score. 3 pages. Sharon Wilson #6195. Published by Sharon Wilson (A0.564615). This arrangement simulates the steady rumbling of a train racing across the countryside by incorporating ostinatos in the left-hand while the right-hand plays a compelling, ever-changing melody. Watch for the plaintive blast of the train whistle periodically throughout the piece.This piece is one of the five songs in the collection Here Comes the Train arranged for intermediate players. Other titles in the collection include: Railroad Polka, Rolling Across the Prairie, Ticket in Hand, Ready to Roll, and I've Been Working on the Railroad. Duration: 2:30 Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusicKeywords: recital pieces, supplemental piano instruction materials, student repertoire, elementary teacher curriculum, train music, train travel, the good old days, toot toot, choo choo, chug-a chug chug
$3.99 ≈
3.72€
Here Comes the Train (Collection of Five Piano Solos)
Here Comes the Train (Collection of Five Piano Solos)
#
Piano seul
#
INTERMÉDIAIRE
#
Sharon Wilson
#
Sharon Wilson
#
Here Comes the Train
#
Sharon Wilson
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.564620 By Sharon Wilson. By American Folk Song and Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Contes...
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Piano Solo - Level 3 - SKU: A0.564620 By Sharon Wilson. By American Folk Song and Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Contest,Country,Festival,Jazz. Score. 21 pages. Sharon Wilson #6217. Published by Sharon Wilson (A0.564620). Reminiscent of train travel during the height of the steam locomotive, this collection of 5 captivating solos is sure to motivate students to stay on track when it comes time to practice. Each piece is 2 to 3 minutes in length and in one of three familiar keys (C, F, or G major). With varying styles, including a march, a polka, and a little jazz, these pieces add appeal and variety to the repertoire of the intermediate student and a fond reminder of days gone by when played for a recital. For more fun-to-play train songs, check out the collection titled Railroad Days.Titles in this collection which are also available separately (with accompanying audio samples) include:Railroad PolkaTicket in Hand, Ready to RollHear the Whistle BlowRolling Across the Prairie
$9.99 ≈
9.32€
Ticket in Hand, Ready to Roll
Ticket in Hand, Ready to Roll
#
Piano seul
#
INTERMÉDIAIRE
#
Sharon Wilson
#
Sharon Wilson
#
Ticket in Hand, Ready to Roll
#
Sharon Wilson
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.564617 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Contest,Country,Festival. Sco...
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Piano Solo - Level 3 - SKU: A0.564617 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Contest,Country,Festival. Score. 3 pages. Sharon Wilson #6201. Published by Sharon Wilson (A0.564617). This up-beat song is filled with the anticipation of a grand journey by train. As the opening theme begins, the title readily comes to mind matching the melody: I've got my ticket in hand, I'm ready to roll. This theme with variations is repeated throughout.This piece is one of the five songs in the collection Here Comes the Train arranged for intermediate players. Other titles in the collection include: Railroad Polka, Rolling Across the Prairie, Hear the Whistle Blow, and I've Been Working on the Railroad. Duration: 2:00 Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusicKeywords: recital pieces, supplemental piano instruction materials, student repertoire, elementary teacher curriculum, train music, train travel, the good old days, toot toot, choo choo, chug-a chug chug
$3.99 ≈
3.72€
Hear The Whistle Blow, One Hundred Miles
Hear The Whistle Blow, One Hundred Miles
#
Banjo
#
Folklorique/Traditionel
#
Flatt & Scruggs
#
Hear The Whistle Blow, One Hun
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Hal Leonard - Digital
#
SheetMusicPlus
Banjo - SKU: HX.529539 By Flatt & Scruggs. This edition: scorch. Folk. Score. 2 pages. Hal Leonard - Digital #290083. Published by Hal Leonard - Digital...
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Banjo - SKU: HX.529539 By Flatt & Scruggs. This edition: scorch. Folk. Score. 2 pages. Hal Leonard - Digital #290083. Published by Hal Leonard - Digital (HX.529539).
$2.99 ≈
2.79€
I've Been Working On the Railroad
I've Been Working On the Railroad
#
Piano seul
#
INTERMÉDIAIRE
#
Christopher Alexander
#
Christopher Alexander
#
I've Been Working On the Railr
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Christopher Alexander
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1113910 By Christopher Alexander. By American Folk Song. Arranged by Christopher Alexander. 19th Century,Country,Folk,Sta...
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Piano Solo - Level 3 - SKU: A0.1113910 By Christopher Alexander. By American Folk Song. Arranged by Christopher Alexander. 19th Century,Country,Folk,Standards,Traditional. Score. 12 pages. Christopher Alexander #715809. Published by Christopher Alexander (A0.1113910). You have never heard the famous folk song played like this before! So many interpretations of this song from other composers have played the melody straight-forward, but this arrangement paints the picture of the railroad. With staccato strikes resembling the hammering of nails to build the tracks and an ostinato pattern that mimics the speed of the wheels, this arrangement will take you and your audience on a joyride you will not forget anytime soon. You can even blow the whistle (or at least play it on the piano) as you perform this work.
$2.00 ≈
1.87€
The Union Pacific Railroad Rag, piano solo
The Union Pacific Railroad Rag, piano solo
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Amy J
#
The Union Pacific Railroad Rag
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Amy J. Snyder
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.733526 Composed by Amy J. Snyder. Concert,Ragtime,Standards,Traditional. Score. 7 pages. Amy J. Snyder #2991339. Publishe...
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Piano Solo - Level 4 - SKU: A0.733526 Composed by Amy J. Snyder. Concert,Ragtime,Standards,Traditional. Score. 7 pages. Amy J. Snyder #2991339. Published by Amy J. Snyder (A0.733526). Whoo, whoo! Hear that train whistle blowing? The Union Pacific Railroad Rag is a fun, late intermediate level piano solo that will keep those toes tapping! It was an exciting time in America's history back in 1869, when the race was on between the Central Pacific and the Union Pacific Railroad. They met at Promontory Summit, Utah thus creating the first transcontinental railroad in North America. This piece is in G minor, and contains fingering, triplets, moving 3rds, chords that will sound like a train whistle, and tremolo at the end for a great finish. This is a great piece for recitals or Assisted Living performances, or just for fun. Copyright 2012 by Amy J. Snyder.
$4.25 ≈
3.96€
Hear That Steamboat Whistle Blowing
Hear That Steamboat Whistle Blowing
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
FACILE
#
Contemporain
#
William Rietzel
#
Bill Wilson
#
Hear That Steamboat Whistle Bl
#
Alexander Wilson
#
SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775091 Composed by William Rietzel. Arranged by Bill Wilson. 20th Century. 12 pages. Alexander Wilson #3415829. Publis...
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Brass Quintet - Level 2 - SKU: A0.775091 Composed by William Rietzel. Arranged by Bill Wilson. 20th Century. 12 pages. Alexander Wilson #3415829. Published by Alexander Wilson (A0.775091). Relatively unknown Tin Pan Alley composer William Rietzel's Hear That Steamboat Whistle Blowing is a Tin Pan Alley tune created by assembling snippets from popular tunes of the day. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:45. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
3.73€
Flatt & Scruggs: Hear The Whistle Blow, One Hundred Miles - banjo solo
#
Banjo
#
INTERMÉDIAIRE
#
Folk Rock
#
Flatt & Scruggs
#
Virtualsheetmusic
Instantly printable sheet music by Flatt & Scruggs for banjo solo of MEDIUM skill level. / folk
Instantly printable sheet music by Flatt & Scruggs for banjo solo of MEDIUM skill level. / folk
$4.97 ≈
4.64€
Honey I Will Long For You
Honey I Will Long For You
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Ed Edwards
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Honey I Will Long For You
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.8290 Composed by Ed Edwards. Portraits, Bodies of water, Steamboats, Moonlight, Courtship, Love, Absenc...
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Piano and voice (solo and SATB chorus) - SKU: LV.8290 Composed by Ed Edwards. Portraits, Bodies of water, Steamboats, Moonlight, Courtship, Love, Absences, Farewells. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8290). Honey I Will Long For You. Words by Arthur Longbrake. Music by Ed Edwards. Published 1910 by The Jos. Morris Co. in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Bodies of water, Steamboats, Moonlight, Courtship, Love, Absences, Farewells. First line reads hear the steamboat whistle blowing, that means good-bye.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
Don't Worry, Be Happy
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
#
Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99 ≈
13.98€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
13.98€
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Hear the Whistle Blow
